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Winners of The Filmfare OTT Awards 2025: Full List Out_我的网站

孤岛惊魂

一 |

　阿里云优惠券先领券再下单众所周知，拼多多是没有店铺概念的。这句话要怎样理解呢？举个例子，做过淘宝的应该都知道，淘宝是有店铺装修一说，那个装修的模板有的还老贵了。而拼多多呢，在后台也是有装修模板的，有的还要10块钱一个月。 Filmfare returned with the 6th edition of the Filmfare OTT Awards to honour the finest artistes, directors, storytellers, musicians and technicians from OTT series, web original films and short films. The grand awards ceremony, held on December 15, 2025, saw some of the best names take home the prestigious Black Lady. The Best Series Award went to Black Warrant while Paatal Lok bagged the Best Series, Critics' Award. Monika Panwar won in the Best Actor Series (Female): Drama category for her role in the spine-chilling Khauf while Jaideep Ahlawat won the Best Actor, Series (Male): Drama award for the gritty Paatal Lok. Barun Sobti and Sparsh Shrivastava were joint winners in the Best Actor Series (Male): Comedy category for Raat Jawaan Hai and Dupahiya, respectively. Ananya Panday bagged the Best Actor, Series (Female): Comedy award for for Call Me Bae. Here are the winners of Filmfare OTT Awards 2025, co-powered by Hyundai and Blenders Pride. In This Article BEST SERIESBEST DIRECTOR, SERIESBEST SERIES (CRITICS')BEST DIRECTOR: SERIES (CRITICS')BEST ACTOR, SERIES (MALE): DRAMABEST ACTOR (MALE), SERIES, CRITICS': DRAMABEST ACTOR, SERIES (FEMALE): DRAMABEST ACTOR (FEMALE), SERIES, CRITICS': DRAMABEST COMEDY (SERIES/SPECIALS)BEST ACTOR, SERIES (MALE): COMEDYBEST ACTOR, SERIES (FEMALE): COMEDYBEST SUPPORTING ACTOR, SERIES (MALE): DRAMABEST SUPPORTING ACTOR, SERIES (FEMALE ): DRAMABEST SUPPORTING ACTOR, SERIES (MALE): COMEDYBEST SUPPORTING ACTOR, SERIES (FEMALE): COMEDYBEST (NON FICTION) ORIGINAL (SERIES/ SPECIAL)BEST FILM, WEB ORIGINALBEST DIRECTOR, WEB ORIGINAL FILMBEST WEB ORIGINAL FILM: CRITICS'BEST ACTOR, WEB ORIGINAL FILM (MALE)BEST ACTOR, WEB ORIGINAL FILM (FEMALE)BEST ACTOR (MALE) CRITICS' WEB ORIGINAL FILMBEST ACTOR (FEMALE) CRITICS' WEB ORIGINAL FILMBEST SUPPORTING ACTOR, WEB ORIGINAL FILM (MALE)BEST SUPPORTING ACTOR, WEB ORIGINAL FILM (FEMALE)BEST STORY, SERIESBEST ORIGINAL SCREENPLAY, SERIESBEST ADAPTED SCREENPLAY, SERIESBEST DIALOGUE, SERIESBEST CINEMATOGRAPHER, SERIESBEST PRODUCTION DESIGN, SERIESBEST EDITING, SERIESBEST COSTUME DESIGN, SERIESBEST BACKGROUND MUSIC, SERIESBEST VFX, SERIESBEST SOUND DESIGN, SERIESBEST MUSIC ALBUM, SERIESBEST STORY (WEB ORIGINAL FILM)BEST ORIGINAL SCREENPLAY (WEB ORIGINAL FILM)BEST DIALOGUE (WEB ORIGINAL FILM)BEST CINEMATOGRAPHER (WEB ORIGINAL FILM)BEST PRODUCTION DESIGN (WEB ORIGINAL FILM)BEST EDITING (WEB ORIGINAL FILM)BEST BACKGROUND MUSIC (WEB ORIGINAL FILM)BEST SOUND DESIGN (WEB ORIGINAL FILM)BEST MUSIC ALBUM (WEB ORIGINAL FILM)BEST DEBUT DIRECTOR, SERIESBREAKTHROUGH PERFORMANCE BY A NEWCOMER (MALE), SERIESBREAKTHROUGH PERFORMANCE BY A NEWCOMER (FEMALE), SERIESBEST DEBUT DIRECTOR, WEB ORIGINAL FILMBREAKTHROUGH PERFORMANCE BY NEWCOMER (MALE), WEB ORIGINAL FILMBREAKTHROUGH PERFORMANCE BY NEWCOMER (FEMALE), WEB ORIGINAL FILMBEST SHORT FILM (PEOPLE'S CHOICE)BEST ACTOR (FEMALE), SHORT FILMBEST ACTOR (MALE), SHORT FILMBEST SHORT FILM (FICTION)BEST SHORT FILM (NON-FICTION OR DOCUMENTARY)BEST DIRECTOR, SHORT FILMBEST SERIES BLACK WARRANT BEST DIRECTOR, SERIES VIKRAMADITYA MOTWANE, SATYANSHU SINGH, ARKESH AJAY, AMBIECKA PANDIT AND ROHIN RAVEENDRAN (BLACK WARRANT) BEST SERIES (CRITICS') PAATAL LOK SEASON 2 BEST DIRECTOR: SERIES (CRITICS') ANUBHAV SINHA (IC 814: THE KANDAHAR HIJACK) NAGESH KUKUNOOR (THE HUNT: THE RAJIV GANDHI ASSASSINATION CASE) BEST ACTOR, SERIES (MALE): DRAMA JAIDEEP AHLAWAT (PAATAL LOK SEASON 2) BEST ACTOR (MALE), SERIES, CRITICS': DRAMA ZAHAN KAPOOR (BLACK WARRANT) BEST ACTOR, SERIES (FEMALE): DRAMA MONIKA PANWAR (KHAUF) BEST ACTOR (FEMALE), SERIES, CRITICS': DRAMA RASIKA DUGAL (SHEKHAR HOME) BEST COMEDY (SERIES/SPECIALS) RAAT JAWAAN HAI (SUMEET VYAS) BEST ACTOR, SERIES (MALE): COMEDY BARUN SOBTI (RAAT JAWAAN HAI) SPARSH SHRIVASTAVA (DUPAHIYA) BEST ACTOR, SERIES (FEMALE): COMEDY ANANYA PANDAY (CALL ME BAE) BEST SUPPORTING ACTOR, SERIES (MALE): DRAMA RAHUL BHAT (BLACK WARRANT) BEST SUPPORTING ACTOR, SERIES (FEMALE ): DRAMA TILLOTAMA SHOME (PAATAL LOK- SEASON 2) BEST SUPPORTING ACTOR, SERIES (MALE): COMEDY VINAY PATHAK (GRAM CHIKITSALAY) BEST SUPPORTING ACTOR, SERIES (FEMALE): COMEDY RENUKA SHAHANE (DUPAHIYA) BEST (NON FICTION) ORIGINAL (SERIES/ SPECIAL) ANGRY YOUNG MEN (NAMRATA RAO) BEST FILM, WEB ORIGINAL GIRLS WILL BE GIRLS BEST DIRECTOR, WEB ORIGINAL FILM SHUCHI TALATI (GIRLS WILL BE GIRLS) BEST WEB ORIGINAL FILM: CRITICS' BOMAN IRANI (THE MEHTA BOYS) BEST ACTOR, WEB ORIGINAL FILM (MALE) ABHISHEK BANERJEE (STOLEN) BEST ACTOR, WEB ORIGINAL FILM (FEMALE) SANYA MALHOTRA (MRS) BEST ACTOR (MALE) CRITICS' WEB ORIGINAL FILM VIKRANT MASSEY (SECTOR 36) BEST ACTOR (FEMALE) CRITICS' WEB ORIGINAL FILM PREETI PANIGRAHI (GIRLS WILL BE GIRLS) BEST SUPPORTING ACTOR, WEB ORIGINAL FILM (MALE) DEEPAK DOBRIYAL (SECTOR 36) BEST SUPPORTING ACTOR, WEB ORIGINAL FILM (FEMALE) KANI KUSRUTI (GIRLS WILL BE GIRLS) BEST STORY, SERIES SMITA SINGH (KHAUF) SUDIP SHARMA, ABHISHEK BANERJEE, RAHUL KANOJIA, TAMAL SEN (PAATAL LOK SEASON 2) BEST ORIGINAL SCREENPLAY, SERIES SUDIP SHARMA, ABHISHEK BANERJEE, RAHUL KANOJIA, TAMAL SEN (PAATAL LOK SEASON 2) BEST ADAPTED SCREENPLAY, SERIES SATYANSHU SINGH & ARKESH AJAY (BLACK WARRANT) BEST DIALOGUE, SERIES ANUBHAV SINHA & TRISHANT SRIVASTAVA (IC 814: THE KANDAHAR HIJACK) BEST CINEMATOGRAPHER, SERIES PANKAJ KUMAR (KHAUF) BEST PRODUCTION DESIGN, SERIES PRIYA SUHAAS, SURABHI VERMA (FREEDOM AT MIDNIGHT) BEST EDITING, SERIES TANYA CHHABRIA (KHAUF) BEST COSTUME DESIGN, SERIES AYESHA DASGUPTA (FREEDOM AT MIDNIGHT) BEST BACKGROUND MUSIC, SERIES ALOKANANDA DASGUPTA (KHAUF) BEST VFX, SERIES PHANTOM FX (KHAUF) BEST SOUND DESIGN, SERIES BIGYNA DAHAL (KHAUF) BEST MUSIC ALBUM, SERIES AKASHDEEP SENGUPTA (BANDISH BANDITS SEASON 2) BEST STORY (WEB ORIGINAL FILM) KARAN TEJPAL, GAURAV DHINGRA, SWAPNIL SALKAR (STOLEN) BEST ORIGINAL SCREENPLAY (WEB ORIGINAL FILM) AVINASH SAMPATH & VIKRAMADITYA MOTWANE (CTRL) BEST DIALOGUE (WEB ORIGINAL FILM) VIJAY MAURYA (AGNI) BEST CINEMATOGRAPHER (WEB ORIGINAL FILM) ISSHAAN GHOSH (STOLEN) BEST PRODUCTION DESIGN (WEB ORIGINAL FILM) ACROPOLIS, SUMIT BASU, SNIGDHA BASU & RAJNISH HEDAO (AGNI) BEST EDITING (WEB ORIGINAL FILM) JAHAAN NOBLE (CTRL) BEST BACKGROUND MUSIC (WEB ORIGINAL FILM) SNEHA KHANWALKAR (CTRL) BEST SOUND DESIGN (WEB ORIGINAL FILM) SUSMIT BOB NATH (STOLEN) BEST MUSIC ALBUM (WEB ORIGINAL FILM) JUSTIN PRABHAKARAN & ROCHAK KOHLI (AAP JAISA KOI) BEST DEBUT DIRECTOR, SERIES PUSHKAR SUNIL MAHABAL (BLACK, WHITE & GRAY- LOVE KILLS) BREAKTHROUGH PERFORMANCE BY A NEWCOMER (MALE), SERIES ANURAG THAKUR (BLACK WARRANT ) BREAKTHROUGH PERFORMANCE BY A NEWCOMER (FEMALE), SERIES LISA MISHRA (CALL ME BAE) BEST DEBUT DIRECTOR, WEB ORIGINAL FILM KARAN TEJPAL (STOLEN) ADITYA NIMBALKAR (SECTOR 36) BREAKTHROUGH PERFORMANCE BY NEWCOMER (MALE), WEB ORIGINAL FILM SHUBHAM VARDHAN (STOLEN) BREAKTHROUGH PERFORMANCE BY NEWCOMER (FEMALE), WEB ORIGINAL FILM ARRCHITA AGARWAL (DESPATCH) BEST SHORT FILM (PEOPLE'S CHOICE) DIVORCE DIRECTOR: RAAGHAV KANSAL BEST ACTOR (FEMALE), SHORT FILM FATIMA SANA SHAIKH FILM: AYESHA BEST ACTOR (MALE), SHORT FILM AYAN KHAN FILM: CHASHMA BEST SHORT FILM (FICTION) AYESHA DIRECTOR: NIHIT BHAVE BEST SHORT FILM (NON-FICTION OR DOCUMENTARY) LANGUR DIRECTOR: HAIDER KHAN BEST DIRECTOR, SHORT FILM RENUKA SHAHANE FILM: DHAAVPATTI Also Read: All Inside Pictures From The Filmfare OTT Awards 2025。

二 | 别看这个费用不高，但是，你见哪个拼多多商家用这个模板的？别说付费了，就是免费的店铺模板都没人用，为啥呢？因为拼多多压根没有店铺的概念。做拼多多就是做链接！记住这句话，咱们不管是玩店群，还是走单店爆款模式，都是以链接为评判标准。我们常说的是这个链接爆单了，而不是某个店爆单了。这个链接爆单了，放到另外一个店铺也会爆单，销量是跟着链接走的，而不是店铺。明白了这一点，咱们做拼多多的应该知道自己未来的方向了吧，没错，就是可劲儿做链接。持续不断地做链接是做电商最好的投资了，那么如何做出爆款链接呢？ 01 做出爆款链接方式一：找好货说句说烂了的话，电商嘛，三分靠运营，七分靠产品。我做代运营接了个花茶的品，不开车每天都有几百单，是因为我运营技术很牛掰吗？非也，是甲方给力，人家给的价格真正做到了全网最低价。这样的品还用开车吗？只要前期冷启动一下，入池了，后面稳定跑自然单就行。

三 | 如果这不是源头厂家，而是一件代发的，结果就很难说了。所以，好货是咱们能不能做爆款链接的前提。那么什么是好货，以及如何找到好货呢？先说下什么是好货的定义，在拼多多里，好货的第一个标签就是起码你要有成本优势。当然如果没成本优势也问题不大，但是你的诉求要改改，不是做爆款链接，而是做小而美的链接。去年之前，只要成本有优势就算是好货，今年加了个前置条件，要品质过的去。也就是你的成本能做到行业头部，同时质量能被买家所接受。就这2个交集选项，市面上95%的商家是做不到的。所以，这里的方式一只是说给那5%商家看的。你的品如果是全网最低成本且质量有保障，这样的链接，别玩强付费。就把榜单链接的素材一比一的借鉴过来，上架开车，绝对的能打起来。

四 | 不过，凡事都有例外。当我们拿到了优势资源后，遇到很卷的类目也未必能够抢的到流量，因为榜一的权重太高了，各位单靠卖价优势是很难抢到对方流量的。

五 | 那怎么办？强付费，必须强付费，这里的强付费不是让各位开车拿单量，而是开车入池的。咱们都是全网最低价了，谁能玩的了强付费，记住，强付费就是入池，一旦链接入池了，这个爆款链接就起来了。 02 做出爆款链接方式二：切最大的人群你做拼多多这么久了，如果还不知道人群这个词，那你做电商就有点失败了。切最大的人群指的是把这个品类人群进行划分后，咱们要切的就是那个最大需求的人群池子，这样的池子单量才够大。我试过做多链接切细分人群，结果不如人意。核心原因是平台的流量还是不够多，没有日活过亿的用户，细分人群流量是不足支撑单链接销量的。不过，细分人群单量虽少，但是利润可观，比最大池子的人群获客成本低很多，这也是为什么平台鼓励大家针对不同人群做不同链接了，因为细分人群没人做，无法变现就是浪费资源。继续说切最大的人群，怎样切最大的人群呢？你要看榜一，看他的主图文案，拆分标题关键词，看他的SKU文案，以及评论区的买家评论。从中去推测类目单量最高的链接切的是哪个人群，咱们照着切就对了。

六 | 举个例子，榜一链接主图边框放着4个大字：买一发三。SKU也是拍二发五，类似这样的词语。这链接打的就是性价比人群，人家既然是榜一，肯定玩的是低价，高价上不了榜的。而玩低价的最喜欢切的就是性价比人群了，这个人群在总人群占比至少70%以上。仔细想想，我们去买某个东西，之所以不下单，是因为什么？不喜欢吗？那个迈凯伦幻影8000，听名字就很喜欢，为什么不买？因为太贵了，20块钱一辆，作为小朋友的我，零花钱也就5块钱一个月，至少4个月不吃零食才买的到，太难了。如果这个迈凯伦降到4块钱一辆，是不是可以考虑考虑了。同样，咱们电商人做的所有品，只要价格到位了，你还愁没单量？当各位有了能和榜一叫板的资源后，就可以在素材这块碾压对方，对方说的是买一发三，你就买一发四，这不仅仅是在噱头上压制对方，更是用相似的卖点去切这个人群池子，当你看到买一发三，和买一发四的两个链接，你会买哪个？不用多说了吧。

七 | 03 做出爆款链接方式三：舍不得孩子套不着狼这里的孩子指的是各位电商老板口袋里的马尼。不管是拼多多还是其他电商平台，做链接都遵循一个原理：前期用钱买权重，后期用权重换钱。我做代运营接的店铺，基本上也是这样的走势，一月亏，二月平，三月赚，再后面都是赚，按这样的节奏走的。有的运营说，别吹了，我第一个月咋就赚了。第一个月赚了不稀奇，我接的店有的第一天开车就能带利润去跑，但这是常态吗？这样说吧，大部分品都不可能一来就带利润跑，如果真的所有品都能带利润跑，那电商岂不是太好做了，人人做电商都能成为百万富翁了。做链接分为2个极端，极少数链接可以第一天不亏钱就能起量，更有极少数链接砸个几十万进去也起不来量，比如用黑五玩法做常规品。除了这2个极端，其他品就是按照舍不得孩子套不着狼的思路做的。想做爆款链接，先砸钱。这个砸钱不是漫无目的的无脑砸钱，而是有预期的，要亏多少，拉多少的权重。按照我最近起的店铺为例，单月销售额5~10万，亏损在4~5K，是能够拿到权重的。一月亏大概也就是亏这些了，当然特殊需求有特殊的玩法，我做的3C类目，单链接一个月亏3~5万块钱去冲销量的都有，试问有几个老板，敢一个月亏5万块钱来玩拼多多的？我都觉得太多了，目前测试亏5K带来10万销售额，是比较理想的数据模型。第二个月肯定是亏损收窄，再之后就是盈利去跑了，大家要以动态思维看电商。 04 最后做爆款链接难，难于上青天。